A Visit of Charity

Expectation Biggs Character Analysis Paper Dr. Brookter January 22, 2013 No Charity, No Change Charity is characterized as an intentional giving of help and liberality particularly towards the destitute or languishing. This little straightforward word passes on an a lot greater significance, one of sympathy and benevolence. In the story, â€Å"A Visit of Charity† the genuine demonstration of good cause is by all accounts missing. It seems as though the fundamental bits of the riddle are absent. The story has structure yet comes up short on the empathy and magnanimity expected to breath life into it. Actually, noble cause never came to visit.The story is about a youthful young lady, Marion, who so as to pick up focuses for her Campfire Girl Club must visit the Old Ladies Home. By essentially purchasing a pruned plant and taking it to one of the occupants, she increased three focuses however she can procure additional focuses for carrying her book of scriptures and perusing it t o the inhabitants. Marion brings just a plant. (Welty 111) â€Å"A Visit of Charity† starts by depicting the virus winter day and a portrayal of the nursing home, â€Å"a whitewashed block and mirrored the winter daylight like a square of ice† (Welty 111).This portrayal alone portrays the structures appearance as well as is expressive of the frigidity and the absence of feeling for the older. Marion is the same. No idea was placed into what may be useful and valuable for the occupants, similar to toiletries, socks, or even food. Rather her solitary groundwork for the visit was purchasing the pruned plant. It is an away from of her childishness and an impression of a general public that doesn't esteem its old. Her fundamental concern is in getting focuses on the grounds that she brings a pruned plant.No genuine idea is placed into who to offer it to or who may really appreciate it. She gets more than she gives and this uncovers a genuine character blemish in Marion. Mor e than once in this story she uncovers a self-centeredness and absence of network to any person or thing that doesn't profit her. This is apparent when Marion tells the medical caretaker, â€Å"I need to visit some old ladies† (Welty 111). What's more, when she is inquired as to whether she knows any of them, Marion states, â€Å"no however that is, any of them will do† (Welty 111). The utilization of â€Å"some† and â€Å"any† are confirm that she has no enthusiasm for where she is or whom she will meet.There has been no planning or thought of who could profit by her visit other herself. Moreover, either out of dread or self-conservation, Marion’s sees the two elderly people ladies not as individuals yet as creatures and winged animals. She alludes as to one as having a â€Å"bleating† sound of a sheep and the different as having a â€Å"birds claw†. Her depictions of the ladies are intelligent of lack of respect for more seasoned in dividuals. One might say she dehumanizes them as to not see their genuine needs or torments. Tangible hardship is frequently observed in more established grown-ups that need incitement and human contact.Older grown-ups who are restricted to a nursing home regularly forget about time, spot, and individual. Joseph Casciani, a geropsychologist, expressed in an article about tangible misfortune, â€Å"Added limitations, for example, imprisonment to bed or Geri-seat, expands the danger (of tactile hardship). † But the old women are by all account not the only ones encountering tangible hardship. Marion experiences issues responding to the old women’s questions and amazingly â€Å"Marion can't recollect her name† (Welty 111). It is ideal to accept that Marion’s absence of reaction was proof of a little piece of sympathy towards these old women however it is doubtful.Marion is absent to the more established lady’s needs; her musings are just of herself an d her craving to get away. Time stops and the small room surrounds her. She understands that the entryways are shut and at one point she examines if she somehow managed to become ill, would they let her leave? Her possibly indication of sympathy comes when she is recounted Addie’s birthday and she asks her how old she is. Addie’s reaction is to cry, perhaps from the acknowledgment that she is going through her birthday alone with her flat mate, an outsider, and disengaged from any other individual. Or then again perhaps she cried in light of the fact that she really thought Marion cared.Regardless, Marion’s empathy was brief. It is an identical representation of our current day society and our apparently limited capacity to focus to the necessities and damages of our older. Brief experiences, brief mindfulness, however little mediation, and no genuine change. Obviously, all that Marion has experienced is a lot for her. Her absence of thinking ahead and arrangeme nt of what to bring is likewise persisted in absence of anticipating what she would do or say while she was there. Her considerations rapidly move to how she can escape without physical contact from both of the two old women.The cruel real factors of life close in and she rapidly escapes into the lobby with one of the elderly people ladies following her asking for a penny, â€Å"Oh, young lady, have you a penny to save for a poor elderly people ladies that’s not got anything of her own? We don’t have a thing on the planet not a penny for candy-not a thing! Young lady, only a nickel-a penny? †(Welty 111). Her brain was distinctly on escape, her ears may have heard what the elderly person was stating however her heart didn't react to the need. Marion was out of her customary range of familiarity and her one want was to get back in it as fast as possible.The same can be said for our age that overlooks the call of our older. To really observe and react to their nece ssities, perusers must escape their customary ranges of familiarity. We have become an age that has discovered an incentive in the childishness of our own wants rather than the necessities of the best age that gave conciliatorily for the opportunities we presently appreciate. Marion may have gotten away from the uneasiness of the Old Ladies Home yet the couldn't get away from the information on the cruel real factors that she saw there. Toward the finish of the story a red apple appears.It is dubious what the apple represents and how it relates to the story. One can only theorize to its significance. In scriptural occasions the apple was emblematic of the information on great and abhorrence. This shows the proof, â€Å"When the lady saw that the product of the tree was useful for food and satisfying to the eye, and furthermore desirableâ for picking up knowledge, she took a few and ate it. She likewise offered some to her husband,â who was with her, and he ate it. † (New In ternational Version, Genesis 3:6). An apple was given to Adam to eat and when he did as long as he can remember changed.It is very conceivable the apple speaks to that once we have the information on another’s needs however we neglect to follow up on it, at that point we are the same than some other insidiousness age. With information comes duty. â€Å"A Visit of Charity† is a story that makes an impression on our general public. What will we do with the information once we find it? We are unmistakably an age that has boundless access to a wide range of data and information. Be that as it may, with information must come obligation and that necessitates that we escape our usual ranges of familiarity and address the issues of the less blessed and the hurting.Otherwise we are an age of Marion’s who consider just themselves and do not have the character to change their own fate, however any other person, also. Work Cited Welty, Eudora. â€Å"A Visit of Charity. â⠂¬  Making Literature Matter. Ed. John Schilb, John Clifford. New York: 2012. 55-56. Print. Casciani, Joseph. â€Å"Sensory Touch in Older Adults-Taste, Smell and Touch †Behavioral Approaches for Caregivers†. Ezine Articles. com. April 9, 2008. Web. January 16, 2013. Zondervan NIV Study Bible. Ed. Kenneth L. Barker. Fantastic Rapids, MI: Zondervan, 2002. Print.